In Coralie Fargeat's brand-new feminist horror movie The Substance, unsafe social charm standards are actually the actual monsters. They (women objectification, the disposal of "the old," the spread of a business built on body alteration) feed a creature of a cycle that leads Demi Moore's fading TV individuality character Elisabeth Shimmer to s

In this anthology of movie criticism, the authors look at the intricate relationship between art and culture and illuminate the numerous ways in which cinematic narratives mirror their worldview, pose questions, or even challenge our worldview.Continue ReadingMovie Reviews HQAlien 3 Movie Review